Please use this identifier to cite or link to this item: http://hdl.handle.net/123456789/4293
Full metadata record
DC FieldValueLanguage
dc.contributor.authorBihun, Olha-
dc.date.accessioned2020-04-06T10:26:15Z-
dc.date.available2020-04-06T10:26:15Z-
dc.date.issued2019-
dc.identifier.citationBihun O. The Reconstraction of Christian Theadicy in Taras Shevchenko's Poetry. Kyiv-Mohyla Humanities Journal. 2019. 6. PP.161-176..uk_UA
dc.identifier.issn2313-4895-
dc.identifier.urihttp://hdl.handle.net/123456789/4293-
dc.description.abstractThis article focuses on reconstructing the role of Christian theodicy in Taras Shevchenko’s works. With a biography marked by trauma and suffering, it is no wonder that Shevchenko orients his poetic worldview in search of understanding the nature of evil and human suffering. Operating through a Christological model, Shevchenko arrives at a poetics based on theodicy, as a means of understanding suffering in the world. He analyses the problem of evil associated with the phenomenology of suffering within the framework of religious ethics.The works of the early period emphasize “the truth and the revenge,” retribution, and physical punishment over the “malicious” in the spirit of Old Testament dogma. The period of Shevchenko’s exile and subsequent works is characterized by changes in moods. The theodicy of Shevchenko’s works reveals the signs of Christodicy. Shevchenko’s concept of “suffering” is related to religiousness, as he believes that suffering is the key to conversion to faith.uk_UA
dc.language.isoenuk_UA
dc.publisherKyiv-Mohyla Academiauk_UA
dc.subjecttheodicy, philosophy, Christianity, suffering, evil, sin, anthropology, Taras Shevchenko.uk_UA
dc.titleThe Reconstraction of Christian Theadicy in Taras Shevchenko's Poetryuk_UA
dc.typeArticleuk_UA
Appears in Collections:Наукові видання (ФІМ)

Files in This Item:
File Description SizeFormat 
KMHJ.pdf279.79 kBAdobe PDFView/Open


Items in DSpace are protected by copyright, with all rights reserved, unless otherwise indicated.